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围攻女儿国暗影迷踪(原声版)辛巴达历险狱凤星球大战宅男爱上她教数学的体育老师疯岳撬佳人冷宫女刺客贱神三少爷2虎胆忠魂微爱之渐入佳境王的男人我的青春遇见妖谁说我们不会爱假人来自孤寂世的笔记蒂姆与时间悖论幽浮魔点传染2014独自夜归的女孩恶灵邪影暗魔怨好友请求红衣小女孩书中奇缘借亲配汉剧黄河喜事神秘凶手(原声版)亚瑟王神剑

更新时间:2025-07-05 06:15:15

导演:让-马里·斯特劳布 达尼埃尔·于伊耶 

主演:Heinrich Hargesheimer Carlheinz Hargesheimer Martha Staendner 达尼埃尔·于伊耶 Henning Harmssen Ulrich Hopmann Joachim Weiler Eva-Maria Bold Hiltraud Wegener Ulrich von Thüna Ernst Kutzinski Karl Bodenschatz Heiner Braun Georg Zander Lutz Grubnau 若阿内斯·巴尔斯基 保罗·埃塞尔 

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich B?ll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert F?hmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation F?hmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

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