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警报战天涯追凶粤语武当龙与地下城战锋对决降龙罗汉人鱼2023不要见怪两个平原一个幻想我和弟媳不得不说的故事我的老公是小白娇宠画家恋上我惊涛飓浪(普通话)他是猫之猫妖诅咒两个爱人和一只熊网文少年云图2012幽冥2016移居者2021神秘博士元旦特集:戴立克革命兽餐魔王撒旦的奴隶黑暗 死亡 可怕惊心食人族3人来,人往只有你2011幸福1957无尽2017武士2001狮心王理查:平叛之战

更新时间:2025-07-05 06:15:15

导演:让-马里·斯特劳布 达尼埃尔·于伊耶 

主演:Heinrich Hargesheimer Carlheinz Hargesheimer Martha Staendner 达尼埃尔·于伊耶 Henning Harmssen Ulrich Hopmann Joachim Weiler Eva-Maria Bold Hiltraud Wegener Ulrich von Thüna Ernst Kutzinski Karl Bodenschatz Heiner Braun Georg Zander Lutz Grubnau 若阿内斯·巴尔斯基 保罗·埃塞尔 

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich B?ll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert F?hmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation F?hmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

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