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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich B?ll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert F?hmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation F?hmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.相关搜索：没有和解爱奇艺在线没有和解优酷在线没有和解西瓜影音没有和解百度百科没有和解预告片没有和解原著没有和解什么时候播没有和解小说原著没有和解全集免费播放没有和解豆瓣评分没有和解演员表剧情片没有和解评价没有和解大结局没有和解多少集没有和解图片没有和解定档剧情片没有和解好看吗没有和解剧情分集介绍没有和解在哪个台播出没有和解人物关系没有和解角色介绍没有和解更新时间没有和解迅雷下载地址
