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It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, perhaps, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hupperetz do? Veteran documentary filmmaker Oeke Hoogendijk (The New Rijksmuseum) is just the woman for the job when it comes to turning this complex issue into an exciting film, and finding the human dimension in a tangled judicial tug-of-war. Political, emotional, personal, cultural, and historical interests all jostle for position as lawyers arguing from a purely judicial perspective present their case and distressed museum directors face big gaps in their collections. While archaeologists in Crimea continue their groundbreaking historical work, it looks like their previous finds are going to be re-buried in the Netherlands—shut off from the world in a warehouse, they are perhaps the biggest losers in this conflict.相关搜索：克里米亚的宝藏爱奇艺在线克里米亚的宝藏优酷在线克里米亚的宝藏西瓜影音克里米亚的宝藏百度百科克里米亚的宝藏预告片克里米亚的宝藏原著克里米亚的宝藏什么时候播克里米亚的宝藏小说原著克里米亚的宝藏全集免费播放克里米亚的宝藏豆瓣评分克里米亚的宝藏演员表剧情片克里米亚的宝藏评价克里米亚的宝藏大结局克里米亚的宝藏多少集克里米亚的宝藏图片克里米亚的宝藏定档剧情片克里米亚的宝藏好看吗克里米亚的宝藏剧情分集介绍克里米亚的宝藏在哪个台播出克里米亚的宝藏人物关系克里米亚的宝藏角色介绍克里米亚的宝藏更新时间克里米亚的宝藏迅雷下载地址
