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甲壳虫追龙2：追缉大富豪窃听风云（粤语）美国行动加勒比海盗5：死无对证水中生活投靠女与出走男棕榈摆动整九码巴西奇遇记恋爱寄生虫结婚前夜一去不回OMG! 我爱你...但不合时宜灵魂电台蝙蝠侠大战超人：正义黎明超能游戏者白室 White Chamber阿波罗18号2001太空漫游 2001: A Space Odyssey杀人王曼森悄悄跟着我阴阳路6：凶周刊国语疗养怨怪猴越光宝盒摇滚英雄亲密敌人风波再起山茶花飘零
康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。 Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.相关搜索：诱饵2019爱奇艺在线诱饵2019优酷在线诱饵2019西瓜影音诱饵2019百度百科诱饵2019预告片诱饵2019原著诱饵2019什么时候播诱饵2019小说原著诱饵2019全集免费播放诱饵2019豆瓣评分诱饵2019演员表剧情片诱饵2019评价诱饵2019大结局诱饵2019多少集诱饵2019图片诱饵2019定档剧情片诱饵2019好看吗诱饵2019剧情分集介绍诱饵2019在哪个台播出诱饵2019人物关系诱饵2019角色介绍诱饵2019更新时间诱饵2019迅雷下载地址
